In Passaic, NJ, Elroy Fletcher runs a video store in a condemned building he claims was the birthplace of Fats Waller. Fletcher goes on a Waller centennial trip, leaving his foster son Mike in charge of the store. Mike's peculiar friend Jerry tries to sabotage a power station and nearly electrocutes himself, getting magnetized in the process. He inadvertently erases every tape in the store. Mike and Jerry hatch an plan to hide the disaster by making a homemade "Ghostbusters" to rent to a woman whom Fletcher will be phoning to check on them. Soon, with help, their homemade versions of films develop a cult following. Will this new business save the store and the building? What about Fats?

After a young cop gets involved in his third shooting, he is recruited into a special police unit. He quickly learns that the unit is an assassination corps for hoodlums and they don't care who gets in the way. Saving the life of a child gets him a beating by the unit, which they call an initiation. When they raid a mobster's home and start killing hoods and call girls who just happens to be there, he draws a line when he finds one hiding in a closet. He then goes on the run with her with gangsters and the cops both in pursuit.

They're in their 20s. He works in a video store; he's eager, chatty, sleeps in his car. She rents adult films, looks disheveled, rarely speaks. He chats her up, she brushes him off. He takes her address from store records and contrives to run into her. He rings her doorbell; she tells him to go away. He invents a story of a great-aunt who's died; she lets him in but holds a butcher knife between them. So it goes. He presses for a relationship; she ignores him, insults him, or yells. He's persistent, inviting her out, cooking, washing her hair. Both have demons and, as their natures become more clear, his addictive personality and her sex nausea may be on a collision course.

A serial killer decides to teach the secrets of his satisfying career to a video store clerk.

Melvin Smiley, a successful young hitman, is living a normal all-day life for his jewish fiancé Pam, but kills for money in Paris' organization. In addition, he has a relationship with a beauty from the neighbourhood and gets bothered by a pimply video store guy, because he did not return "King Kong Lives" for two weeks. He and his three teammates Cisco, Crunch and Vince one day decide to kidnap the daughter of super-rich businessman Jiro Nishi - off the record. What they do not know, is that Jiro just went completely bankrupt due to a successless movie production, and, even worse, that his daughter Keiko is the god-daughter of Paris, the boss of the kidnappers. He and his men are now searching for the kidnappers in order to grind them up properly. Meanwhile, handcuffed Keiko falls in love with killer Melvin while both preparing a kosher meal in order to satisfy Pam's visiting parents, who are out of the house with Pam - with a body in the trunk.

Andy Sargentee is a decent guy and the town's favorite failure: an unemployable dreamer whose ex's husband's wealth intimidates Andy to such an extent he does little with his teen son. Andy's new idea is for Butterface Fields to be the first town to band together to make the first full-length feature amateur adult film. He recruits five regulars at Floyd's Bar to contribute $2000 each. They get the kid at the video store, whose camcorder is constantly on, to be the cinematographer. The pal they all call "Some Idiot" volunteers to be writer-director. Otis becomes producer. Now, can they find actors, and especially, women? Can a pornography project give Andy self-respect?